Rosalba Panzieri<\/p>\n\n\n\n
\u201cFati m\u00eb ktheu te Mbreti Lir, edhe pse kisha vendosur t\u00eb mos e b\u00ebja. Me sa duket, Giorgio Strehler e ndjeu k\u00ebt\u00eb dhe m\u00eb ngriti k\u00ebt\u00eb kurth.\u201d Me k\u00ebto fjal\u00eb, Gabriele Lavia, nj\u00eb nga mjeshtrat m\u00eb t\u00eb m\u00ebdhenj t\u00eb teatrit, komentoi debutimin e tij n\u00eb Teatro Argentina n\u00eb dhjetor me Mbretin Lir, nj\u00eb nga dramat m\u00eb t\u00eb famshme dhe komplekse t\u00eb Shekspirit, e shkruar m\u00eb shum\u00eb se kat\u00ebr shekuj m\u00eb par\u00eb, por q\u00eb zot\u00ebron nj\u00eb bashk\u00ebkoh\u00ebsi t\u00eb dhimbshme. Gabriele Lavia, i cili drejton shfaqjen, luan Mbretin Lir t\u00eb moshuar, i cili vendos t'ua dhuroj\u00eb mbret\u00ebrin\u00eb e tij tre vajzave t\u00eb tij, duke k\u00ebrkuar n\u00eb k\u00ebmbim shprehjet m\u00eb lajkatuese t\u00eb dashuris\u00eb. Nd\u00ebrsa dy m\u00eb t\u00eb m\u00ebdhat\u00eb angazhohen n\u00eb shfaqje dashurie ndaj babait t\u00eb tyre, vajza m\u00eb e vog\u00ebl, Cordelia, refuzon t\u00eb marr\u00eb pjes\u00eb n\u00eb dredhi t\u00eb tilla verbale dhe i thot\u00eb babait t\u00eb saj se e do aq sa e meriton si nj\u00eb vajz\u00eb. Egoja e tij e plagosur, Mbreti e \u00e7trash\u00ebgon at\u00eb, ende e pavet\u00ebdijshme se Cordelia do t\u00eb jet\u00eb e vetmja vajz\u00eb q\u00eb e do v\u00ebrtet. Ai duhet t\u00eb humbas\u00eb fuqin\u00eb e tij, dhe bashk\u00eb me t\u00eb edhe identitetin e tij, p\u00ebr t\u00eb kuptuar natyr\u00ebn e v\u00ebrtet\u00eb t\u00eb vajzave t\u00eb tij m\u00eb t\u00eb m\u00ebdha, t\u00eb cilat, pasi ta zhveshin nga pasurit\u00eb e fundit, do ta l\u00ebn\u00eb n\u00eb m\u00ebshir\u00ebn e nj\u00eb stuhie. Kjo, si\u00e7 thekson Lavia, "\u00ebsht\u00eb nj\u00eb stuhi mosqenieje, e cila e mposht at\u00eb dhe t\u00eb cil\u00ebn Liri do ta duroj\u00eb deri n\u00eb fund, deri n\u00eb dhimbjen e tij t\u00eb fundit, kur burri Liri, duke mbajtur n\u00eb krah\u00eb vajz\u00ebn e tij t\u00eb vdekur Kordelian, b\u00ebrtet dhe i pyet spektator\u00ebt: 'Jeni burra apo gur\u00eb? Po t\u00eb kisha fytin dhe syt\u00eb tuaj, do t\u00eb b\u00ebrtisja dhe do t\u00eb qaja derisa t\u00eb shkat\u00ebrroja kupol\u00ebn e qiellit.'"<\/p>\n\n\n\n
Gabriele Lavia me siguri ka krijuar nj\u00eb performanc\u00eb shembullore, duke balancuar me sukses soliditetin e zanatit t\u00eb tij me realitetin bashk\u00ebkohor p\u00ebr t\u00eb cilin \u00ebsht\u00eb menduar. Kan\u00eb kaluar pes\u00ebdhjet\u00eb vjet q\u00eb kur Lavia b\u00ebri debutimin e tij n\u00eb Mbretin Lir, me regji nga Giorgio Strehler n\u00eb vitin 1972, dhe teatri dhe realiteti i sot\u00ebm kan\u00eb ndryshuar, si\u00e7 thekson maestro: "N\u00eb nj\u00eb moment t\u00eb caktuar, Mbreti Lir nuk d\u00ebshiron m\u00eb t\u00eb jet\u00eb mbret dhe e dor\u00ebzon qenien e tij q\u00eb t\u00eb tjer\u00ebt ta disponojn\u00eb, por sapo ai \u00ebsht\u00eb para qenies s\u00eb tij, ai \u00ebsht\u00eb i mbaruar. Nuk ka dashuri dhe as forc\u00eb. Paradoksalisht, k\u00ebtu ai p\u00ebrballet me t\u00eb v\u00ebrtet\u00ebn e pasiguris\u00eb njer\u00ebzore, t\u00eb njeriut q\u00eb nuk \u00ebsht\u00eb asgj\u00eb. Monologu i madh hapet k\u00ebshtu: "Ju t\u00eb palumtur, t\u00eb braktisur, njer\u00ebz t\u00eb fundit, kudo q\u00eb t\u00eb jeni, ngado q\u00eb t\u00eb vini... si do t\u00eb na mbrojn\u00eb rrobat tuaja, t\u00eb gjitha vrimat dhe leckat, nga nj\u00eb stin\u00eb si kjo? Ky vizion nuk mund t\u00eb mos evokoj\u00eb realitetin bashk\u00ebkohor, morin\u00eb e njer\u00ebzve t\u00eb varf\u00ebr, emigrant\u00ebt dhe t\u00eb gjith\u00eb ne t\u00eb goditur nga stuhit\u00eb e ekzistenc\u00ebs. Kjo \u00ebsht\u00eb arsyeja pse skena u vendos edhe n\u00eb nj\u00eb teat\u00ebr t\u00eb vjet\u00ebr e t\u00eb braktisur, me valixhe t\u00eb vjetra nga t\u00eb cilat aktor\u00ebt nxjerrin kostumet e tyre skenike p\u00ebr t\u00eb filluar rr\u00ebfimin dhe p\u00ebr t'i dh\u00ebn\u00eb jet\u00eb t\u00eb re nj\u00eb teatri q\u00eb po vdiste. Edhe k\u00ebtu, Lavia donte t\u00eb kryente nj\u00eb veprim ritual, p\u00ebr t\u00eb hequr pluhurin nga historia dhe p\u00ebr t\u00eb na treguar forc\u00ebn e saj, p\u00ebr t\u00eb na kujtuar se teatri nuk mund t\u00eb vdes\u00eb. Sepse ka t\u00eb b\u00ebj\u00eb me identitetin ton\u00eb, me qenien ton\u00eb, si\u00e7 kujton m\u00eb tej Lavia: "Teatri \u00ebsht\u00eb nj\u00eb ideal, vendi i shikimit ku zbulimi i t\u00eb mbuluarve mbetet nj\u00eb mister. Kjo do t\u00eb thot\u00eb q\u00eb teatri zbulon at\u00eb q\u00eb mbetet, megjithat\u00eb, e mbuluar. Teatri nuk mund t\u00eb vdes\u00eb sepse ka nevoj\u00eb p\u00ebr aktor\u00eb dhe spektator\u00eb. Ata mund ta b\u00ebjn\u00eb m\u00eb t\u00eb komplikuar interpretimin. Por gjith\u00e7ka varet nga njer\u00ebzit, dhe ne duhet t\u00eb jemi gjithmon\u00eb t\u00eb z\u00ebn\u00eb. Jepuni veten di\u00e7kaje p\u00ebr t\u00eb b\u00ebr\u00eb."<\/p>\n\n\n\n
Tragjedia e pushtetit, konflikti midis baballar\u00ebve dhe bijve, tradhtia e t\u00eb dashurve, mjerimet e ekzistenc\u00ebs njer\u00ebzore - t\u00eb gjitha flasin p\u00ebr t\u00eb sotmen dhe t\u00eb nes\u00ebrmen. I gjith\u00eb kasti dha nj\u00eb performanc\u00eb t\u00eb shk\u00eblqyer, sigurisht edhe fal\u00eb regjis\u00eb, aq sa \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb ve\u00e7osh nj\u00eb t\u00eb preferuar (me p\u00ebrjashtim t\u00eb Andrea Nicolini, i cili luan rolin e t\u00eb \u00e7mendurit). Kasta p\u00ebrfshin Giovanni Arezzo, Giuseppe Benvegna, Eleonora Bernazza, Jacopo Carta, Beatrice Ceccherini, Federica Di Martino, Ian Gualdani, Luca Lazzareschi, Mauro Mandolini, Andrea Nicolini, Gianluca Scaccia, Silvia Siravo, Jacopo Venturiero dhe Lorenzo Volpe.<\/p>\n\n\n\n
Skenet e Alessandro Camera, kostumet nga Andrea Viotti, ndri\u00e7imi nga Giuseppe Filipponio, muzika nga Antonio Di Pofi, tingulli nga Riccardo Benassi, asistent\u00ebt e regjisor\u00ebve Matteo Tarasco dhe Enrico Torzillo, asistentet e skenografit Michela Mantegazza, asistenti i kostumografes Niulia Rovetto, asistenti i kostumografes, Giulia Rovetto, prot. A Teatro di Roma \u2013 Teatro Nazionale, Effimera srl, LAC Lugano Arte e Cultura produksion.<\/p>","protected":false},"excerpt":{"rendered":"
Rosalba Panzieri \u201cIl destino mi ha riportato a Re Lear, anche se avevo deciso di non farlo. Evidentemente Giorgio Strehler ha sentito e mi ha teso questa trappola. \u201c Con queste parole Gabriele Lavia, tra i pi\u00f9 grandi maestri del teatro, ha commentato Il suo debutto al Teatro Argentina, nel mese di dicembre, con Re […]<\/p>\n","protected":false},"author":2,"featured_media":6066,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","iawp_total_views":10,"footnotes":""},"categories":[446],"tags":[],"class_list":["post-6065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-2"],"_links":{"self":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/comments?post=6065"}],"version-history":[{"count":1,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6065\/revisions"}],"predecessor-version":[{"id":6067,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6065\/revisions\/6067"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media\/6066"}],"wp:attachment":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media?parent=6065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/categories?post=6065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/tags?post=6065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}