{"id":6448,"date":"2025-10-12T21:03:10","date_gmt":"2025-10-12T21:03:10","guid":{"rendered":"https:\/\/albanitaly.al\/?p=6448"},"modified":"2025-10-13T18:17:03","modified_gmt":"2025-10-13T18:17:03","slug":"aktakuze-prima-facie-e-sistemit-gjyqesor-per-dhune-gjinore","status":"publish","type":"post","link":"https:\/\/albanitaly.al\/sq\/violenza-di-genere-prima-facie-atto-daccusa-al-sistema-giudiziario\/","title":{"rendered":"Dhuna me baz\u00eb gjinore: Nj\u00eb padi prima facie e gjyq\u00ebsorit"},"content":{"rendered":"

N\u00eb monologun e Suzie Miller, t\u00eb v\u00ebn\u00eb n\u00eb sken\u00eb nga Melissa Vettore dhe t\u00eb drejtuar nga Daniele Finzi Pasca, historia e Tess\u00ebs, nj\u00eb avokate q\u00eb shpesh ka p\u00ebrfaq\u00ebsuar p\u00ebrdhunues n\u00eb gjykat\u00eb, b\u00ebhet nj\u00eb akuz\u00eb e fuqishme ndaj shtremb\u00ebrimeve t\u00eb sistemit t\u00eb drejt\u00ebsis\u00eb. Kur protagonistja b\u00ebhet viktim\u00eb e sulmit seksual, denoncimi i saj nuk \u00ebsht\u00eb thjesht personal: \u00ebsht\u00eb nj\u00eb gjest politik, nj\u00eb \u00e7arje q\u00eb hapet n\u00eb gjuh\u00ebn e drejt\u00ebsis\u00eb. Shfaqja, nj\u00eb premier\u00eb komb\u00ebtare, hapi sezonin n\u00eb Sala Umberto n\u00eb Rom\u00eb. Datat e turneut<\/em><\/p>\n\n\n\n

Nga Rosalba Panzieri <\/p>\n\n\n\n

\u201cE t\u00ebra q\u00eb di \u00ebsht\u00eb se diku. Diku. Disi. Di\u00e7ka duhet t\u00eb ndryshoj\u00eb.\u201d K\u00ebto fjal\u00eb p\u00ebrmbyllin \u201cPrima Facie\u201d, performanc\u00ebn q\u00eb magjepsi audienc\u00ebn n\u00eb Teatro Sala Umberto t\u00eb Rom\u00ebs p\u00ebr dy or\u00eb, pa ndalur. I interpretuar nga Melissa Vettore magjeps\u00ebse, monologu tregon historin\u00eb e Tess\u00ebs, avokates ambicioze t\u00eb p\u00ebrdhunuesve, e cila vuan nga sulmi seksual dhe e nj\u00ebjta dhun\u00eb gjyq\u00ebsore q\u00eb ajo vet\u00eb ushtroi ndaj viktimave t\u00eb saj. E ndar\u00eb midis t\u00eb kaluar\u00ebs s\u00eb saj si avokate dhe t\u00eb tashmes s\u00eb saj si viktim\u00eb, Tessa analizon me qart\u00ebsi disonanc\u00ebn midis ligjit formal dhe drejt\u00ebsis\u00eb substanciale.<\/p>\n\n\n\n

\"WhatsApp,<\/figure>\n\n\n\n

Nj\u00eb monolog i domosdosh\u00ebm p\u00ebr t\u00eb gjith\u00eb<\/strong><\/p>\n\n\n\n

Monologu, bazuar n\u00eb bestsellerin e Suzi Miller, trajton me intensitet dhe ndjeshm\u00ebri \u00e7\u00ebshtje q\u00eb jan\u00eb m\u00eb urgjente sot se kurr\u00eb: dhuna gjinore, p\u00eblqimi dhe gjuha e pushtetit, duke nxjerr\u00eb n\u00eb pah hendekun q\u00eb shpesh ndan drejt\u00ebsin\u00eb formale nga drejt\u00ebsia aktuale. Viktima i n\u00ebnshtrohet pyetjeve intensive, t\u00eb cilat shnd\u00ebrrohen n\u00eb nj\u00eb sulm t\u00eb dyt\u00eb, p\u00ebr t\u00eb p\u00ebrcaktuar n\u00ebse mohimi i p\u00ebrdhunimit ishte i qart\u00eb dhe i qart\u00eb. Sallat e gjyqit shqyrtojn\u00eb viktimat dhe dinjitetin e tyre, duke diskutuar veshjen, p\u00ebrdorimin e alkoolit dhe substancave, si dhe marr\u00ebdh\u00ebnien e tyre me sulmuesin. Shum\u00eb prej tyre nuk e raportojn\u00eb krimin. N\u00ebse abuzuesi \u00ebsht\u00eb an\u00ebtar i familjes, vet\u00eb grat\u00eb e kan\u00eb m\u00eb t\u00eb v\u00ebshtir\u00eb ta perceptojn\u00eb veten si viktima. Por jo \u00ebsht\u00eb jo. P\u00eblqimi seksual nuk \u00ebsht\u00eb nj\u00eb e drejt\u00eb e fituar nj\u00eb her\u00eb dhe e vlefshme p\u00ebrgjithmon\u00eb n\u00ebse ekziston nj\u00eb marr\u00ebdh\u00ebnie midis abuzuesit dhe abuzuesit. "Ne duhet t\u00eb m\u00ebsojm\u00eb se jo \u00ebsht\u00eb jo", thot\u00eb regjisori Daniele Finzi Pasca. "Duke u nisur nga kjo, ne mund t\u00eb rind\u00ebrtojm\u00eb nj\u00eb shoq\u00ebri t\u00eb ndryshme. Ky aspekt, p\u00ebr fat t\u00eb keq, nuk \u00ebsht\u00eb i ankoruar n\u00eb t\u00eb m\u00ebsuarit e bazave t\u00eb marr\u00ebdh\u00ebnieve njer\u00ebzore. Ne njer\u00ebzit duhet t\u00eb m\u00ebsojm\u00eb but\u00ebsin\u00eb. P\u00ebr t\u00eb shmangur l\u00ebndimin, ne duhet t\u00eb jemi t\u00eb but\u00eb."<\/p>\n\n\n\n

N\u00eb nj\u00eb koh\u00eb kur debati mbi barazin\u00eb gjinore, drejt\u00ebsin\u00eb dhe t\u00eb drejtat e viktimave \u00ebsht\u00eb n\u00eb qend\u00ebr t\u00eb axhend\u00ebs publike, Prima Facie shquhet si nj\u00eb vep\u00ebr e domosdoshme, e aft\u00eb t\u00eb gjeneroj\u00eb reflektim t\u00eb thell\u00eb, duke u b\u00ebr\u00eb nj\u00eb thirrje p\u00ebr veprim si pjes\u00ebmarr\u00ebs aktiv n\u00eb ndryshimin konkret. Me t\u00eb drejta ekskluzive p\u00ebr versionin italian, Compagnia Finzi Pasca ofron nj\u00eb prodhim besnik ndaj poetik\u00ebs s\u00eb saj t\u00eb pagabueshme, t\u00eb zhytur n\u00eb atmosfera \u00ebnd\u00ebrrimtare dhe t\u00eb aft\u00eb p\u00ebr t\u00eb habitur dhe prekur. <\/p>\n\n\n\n

\"whatsapp<\/figure>\n\n\n\n

Interpretimi i shk\u00eblqyer n\u00eb aktrim i Melissa Vettore<\/strong><\/p>\n\n\n\n

Melissa Vettore dominon sken\u00ebn me nj\u00eb prani magnetike dhe nj\u00eb kontroll t\u00eb trupit q\u00eb transformon \u00e7do gjest n\u00eb nj\u00eb gjuh\u00eb dramatike. 
Fleksibiliteti shpreh\u00ebs i aktores \u00ebsht\u00eb i duksh\u00ebm n\u00eb aft\u00ebsin\u00eb e saj p\u00ebr t\u00eb kaluar pa mundim nga racionaliteti i plagosur i avokates n\u00eb cenueshm\u00ebrin\u00eb e gruas s\u00eb abuzuar, pa r\u00ebn\u00eb kurr\u00eb n\u00eb didakticiz\u00ebm. \u00c7do tranzicion \u00ebsht\u00eb organik, \u00e7do ndryshim n\u00eb ton dhe rit\u00ebm sh\u00ebrben p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb tension dramatik q\u00eb nuk i jep shikuesit asnj\u00eb pushim. Vettore punon mbi tekstin me sakt\u00ebsi kirurgjikale, duke p\u00ebrcjell\u00eb shtresat e tij etike dhe psikologjike p\u00ebrmes nj\u00eb p\u00ebrdorimi t\u00eb aft\u00eb t\u00eb koh\u00ebs, gjithmon\u00eb t\u00eb ngutshme, dhe hap\u00ebsir\u00ebs. Trupi \u00ebsht\u00eb nj\u00eb instrument narrativ: i p\u00ebrmbajtur, pastaj i shp\u00ebrthyer, pastaj i frenuar p\u00ebrs\u00ebri, n\u00eb nj\u00eb partitur\u00eb fizike q\u00eb shoq\u00ebron dhe amplifikon fjal\u00ebt. Intensiteti i tij nuk b\u00ebrtet kurr\u00eb, por gdhendet. Ai e v\u00eb n\u00eb dyshim shikuesin pa retorik\u00eb. N\u00eb k\u00ebt\u00eb monolog, Vettore nuk interpreton, por banon n\u00eb Tessa. Dhe duke vepruar k\u00ebshtu, ai na detyron t\u00eb shikojm\u00eb, t\u00eb ndiejm\u00eb, t\u00eb mendojm\u00eb. "Ne grat\u00eb duhet t'i d\u00ebgjojm\u00eb nevojat tona", thot\u00eb protagonistja Melissa Vettore, "dhe t\u00eb mos kemi frik\u00eb t\u00eb shprehim at\u00eb q\u00eb duam. Un\u00eb besoj se grat\u00eb dhe burrat duhet t\u00eb komunikojn\u00eb m\u00eb shum\u00eb. Ne t\u00eb gjitha jemi t\u00eb brisht\u00eb kur b\u00ebhet fjal\u00eb p\u00ebr ndjenjat tona, dhe t\u00eb qenit n\u00eb gjendje t\u00eb shprehim at\u00eb q\u00eb ndiejm\u00eb mund t\u00eb krijoj\u00eb dinamika t\u00eb reja. Ne fitojm\u00eb v\u00ebrtet n\u00ebse nuk ka dhun\u00eb p\u00ebr t\u00eb raportuar."<\/p>\n\n\n\n

Historia e nj\u00eb suksesi global<\/strong><\/strong><\/p>\n\n\n\n

\"imazhi<\/figure>\n\n\n\n

E p\u00ebrkthyer n\u00eb 20 gjuh\u00eb dhe e shfaqur n\u00eb 38 vende, "Prima Facie" \u00ebsht\u00eb b\u00ebr\u00eb nj\u00eb fenomen global, duke shkaktuar debate n\u00eb t\u00eb gjith\u00eb bot\u00ebn rreth nevoj\u00ebs p\u00ebr nj\u00eb sistem drejt\u00ebsie m\u00eb t\u00eb ndjesh\u00ebm ndaj nevojave t\u00eb viktimave t\u00eb krimeve seksuale. Shfaqja shkaktoi nj\u00eb protest\u00eb t\u00eb gjer\u00eb publike, duke kontribuar n\u00eb ndryshimet legjislative n\u00eb Mbret\u00ebrin\u00eb e Bashkuar dhe duke udh\u00ebhequr autoren Suzie Miller p\u00ebr t\u00eb adresuar t\u00eb drejtat ligjore t\u00eb viktimave t\u00eb abuzimit dhe ngacmimit seksual n\u00eb OKB. Versioni i par\u00eb i shfaqjes debutoi n\u00eb Sydney n\u00eb vitin 2019. N\u00eb prill t\u00eb vitit 2022, ajo u shfaq premier\u00eb n\u00eb Lond\u00ebr, duke fituar dy \u00e7mime Laurence Olivier. M\u00eb pas u shfaq n\u00eb Broadway. Sot, ajo shfaqet n\u00eb t\u00eb gjith\u00eb bot\u00ebn, me aktore t\u00eb ndryshme q\u00eb luajn\u00eb rolin e avokates Tessa. "Prima Facie" i inkurajon grat\u00eb t\u00eb ndajn\u00eb p\u00ebrvojat e tyre, duke ndihmuar n\u00eb krijimin e nj\u00eb rrjeti mb\u00ebshtet\u00ebs dhe duke stimuluar shoq\u00ebrin\u00eb t\u00eb reflektoj\u00eb mbi perspektiva t\u00eb reja n\u00eb fush\u00ebn ligjore.<\/p>\n\n\n\n

Datat e turit<\/strong><\/p>\n\n\n\n

Shfaqja do t\u00eb mb\u00ebrrij\u00eb n\u00eb Milano n\u00eb Teatro Franco Parenti m\u00eb 25 n\u00ebntor (Dita Nd\u00ebrkomb\u00ebtare p\u00ebr Eliminimin e Dhun\u00ebs ndaj Grave), ku do t\u00eb q\u00ebndroj\u00eb deri m\u00eb 30. M\u00eb 14 dhjetor, ajo do t\u00eb zhvendoset n\u00eb Assisi n\u00eb Teatro Lyrick. Nga 6 deri m\u00eb 8 mars 2026, ajo do t\u00eb jet\u00eb n\u00eb Lugano n\u00eb LAC, m\u00eb 26 dhe 27 mars n\u00eb Torino n\u00eb Teatro Colosseo dhe m\u00eb 31 mars do t\u00eb mb\u00ebrrij\u00eb n\u00eb Teatro Verdi n\u00eb Padova. <\/p>\n\n\n\n

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