{"id":6502,"date":"2025-11-15T18:09:36","date_gmt":"2025-11-15T18:09:36","guid":{"rendered":"https:\/\/albanitaly.al\/?p=6502"},"modified":"2025-11-15T18:09:37","modified_gmt":"2025-11-15T18:09:37","slug":"festivali-romaeuropa-2025-finalja-e-madhe-e-muzikes-elektronike-dhe-vizioneve-zanore-plus-nje-ngjarje-speciale","status":"publish","type":"post","link":"https:\/\/albanitaly.al\/sq\/romaeuropa-festival-2025-gran-finale-tra-elettronica-e-visioni-sonore-e-un-appuntamento-speciale\/","title":{"rendered":"Festivali Romaeuropa 2025, nj\u00eb finale e madhe e muzik\u00ebs elektronike dhe vizioneve zanore, dhe nj\u00eb ngjarje e ve\u00e7ant\u00eb."},"content":{"rendered":"

Kruder & Dorfmeister dhe Ryoji Ikeda, yje t\u00eb muzik\u00ebs bot\u00ebrore, mbyllin edicionin e 40-t\u00eb t\u00eb festivalit n\u00eb Auditorium Parco della Musica "Ennio Morricone", duke sjell\u00eb artist\u00ebt kryesor\u00eb t\u00eb bot\u00ebs n\u00eb Rom\u00eb. Evente t\u00eb ve\u00e7anta teatrale vazhdojn\u00eb deri m\u00eb 23 n\u00ebntor.<\/em><\/p>\n\n\n\n

Nga Rosalba Panzieri<\/p>\n\n\n\n

Roma po p\u00ebrgatitet p\u00ebr nj\u00eb finale t\u00eb paharrueshme t\u00eb Festivalit Romaeuropa, tani n\u00eb edicionin e tij t\u00eb dyzet\u00eb n\u00ebn Patronazhin e Lart\u00eb t\u00eb Presidentit t\u00eb Republik\u00ebs Italiane. Perdja bie m\u00eb 16 n\u00ebntor me nj\u00eb mbr\u00ebmje q\u00eb nd\u00ebrthur historin\u00eb dhe avangard\u00ebn e muzik\u00ebs elektronike.  <\/p>\n\n\n\n

Nj\u00eb mbyllje q\u00eb ofron shfaqje p\u00ebr t\u00eb gjith\u00eb <\/strong><\/p>\n\n\n\n

Dita hapet n\u00eb or\u00ebn 17:00 n\u00eb Sala Petrassi me premier\u00ebn komb\u00ebtare t\u00eb Hapi im i eg\u00ebr injorant <\/em>e koreografit grek Kristos Papadopoulos<\/strong>, nj\u00eb dialog midis trupit dhe teknologjis\u00eb q\u00eb vulos partneritetin me Festivalin.  <\/p>\n\n\n\n

N\u00eb sken\u00ebn e Auditorium Parco della Musica \u201cEnnio Morricone\u201d, dyshja legjendare austriake. Kruder & Dorfmeister<\/strong>kthehet n\u00eb Rom\u00eb me Sesionet K&D drejtp\u00ebrdrejt<\/em>, nj\u00eb udh\u00ebtim sonik q\u00eb feston tridhjet\u00eb vjet karrier\u00eb dhe trash\u00ebgimin\u00eb e nj\u00eb albumi kult t\u00eb aft\u00eb p\u00ebr t\u00eb rip\u00ebrcaktuar konceptin e rimikseve dhe p\u00ebrmbledhjeve. Me mbi nj\u00eb milion kopje t\u00eb shitura, Sesionet K&D <\/em>Ajo sh\u00ebnoi vitet '90 dhe vazhdon t\u00eb frym\u00ebzoj\u00eb breza t\u00eb rinj artist\u00ebsh.  <\/p>\n\n\n\n

Nj\u00eb tjet\u00ebr yll i k\u00ebtij mbylljeje do t\u00eb jet\u00eb kompozitori dhe artisti vizual japonez. Ryoji Ikeda<\/strong>, nj\u00eb mjesht\u00ebr i lidhjeve midis tingullit dhe perceptimit, i cili prezanton dy shfaqje radikale dhe gjith\u00ebp\u00ebrfshir\u00ebse. N\u00eb or\u00ebn 18:00, n\u00eb Teatro Studio Borgna, Ikeda prezanton Muzik\u00eb p\u00ebr instrumente me tela <\/em>S\u00eb bashku me Ensemble Modern, ai i transformon telat n\u00eb vibrime t\u00eb pastra dhe pulse ritmike. N\u00eb or\u00ebn 20:00, n\u00eb Sala Sinopoli, ai prezanton Ultratronics, nj\u00eb peizazh elektronik hipnotik ku defektet dhe pamjet dinamike e mb\u00ebshtjellin shikuesin n\u00eb nj\u00eb p\u00ebrvoj\u00eb totale shqisore. <\/p>\n\n\n\n

Atomike<\/em> nga Muta Imago n\u00eb sken\u00eb deri m\u00eb 23 n\u00ebntor<\/strong><\/p>\n\n\n\n

\"whatsapp<\/figure>\n\n\n\n

Suksesi krijues i bashk\u00ebprodhimeve t\u00eb Festivalit Romaeuropa vazhdon n\u00eb edicionin e tij t\u00eb dyzet\u00eb, duke riafirmuar rolin e Festivalit si nj\u00eb laborator p\u00ebr inovacion dhe dialog midis institucioneve. Bashk\u00ebpunimi me Fondazione Teatro di Roma rinovohet n\u00eb Teatro India, ku mir\u00ebpret kalimin e stafet\u00ebs midis dy entiteteve. Atomike<\/em>, krijimi i ri i Muta Imago<\/strong>. E prezantuar n\u00eb italisht m\u00eb 13 dhe 14 n\u00ebntor, si pjes\u00eb e jav\u00ebs s\u00eb fundit t\u00eb Festivalit, opera vazhdon deri m\u00eb 23 n\u00ebntor si pjes\u00eb e sezonit t\u00eb Teatro di Roma. N\u00ebn regjin\u00eb e Claudia Sorace dhe me dramaturgji zanore nga Riccardo Fazi, dyshja vazhdon eksplorimin e kujtes\u00ebs, koh\u00ebs dhe identitetit, duke transformuar korrespondenc\u00ebn midis G\u00fcnther Anders dhe Claude Eatherly n\u00eb nj\u00eb sken\u00eb. Dialogu i tyre epistolar, i lindur nga trauma e Hiroshim\u00ebs, b\u00ebhet nj\u00eb reflektim mbi etik\u00ebn, p\u00ebrgjegj\u00ebsin\u00eb dhe mund\u00ebsin\u00eb e shpengimit. <\/p>\n\n\n\n

Bashk\u00ebprodhime p\u00ebr nj\u00eb p\u00ebrhapje bot\u00ebrore t\u00eb teatrit<\/strong><\/p>\n\n\n\n

Bashk\u00ebprodhimi \u00ebsht\u00eb nj\u00eb nga thirrjet themeluese t\u00eb Festivalit Romaeuropa, i cili k\u00ebshtu arrin t\u00eb shfaq\u00eb krijimet m\u00eb t\u00eb mira dramaturgjike nd\u00ebrkomb\u00ebtare dhe t\u00eb mb\u00ebshtes\u00eb shk\u00ebmbimin kulturor dhe artistik nd\u00ebrkufitar. Ky \u00ebsht\u00eb nj\u00eb shembull i shk\u00eblqyer. Valentina<\/em>, shfaqje nga regjisori francez Caroline Guiela Nguyen<\/strong>, drejtor i Teatrit Komb\u00ebtar t\u00eb Strasburgut, u shfaq premier\u00eb n\u00eb Teatro Argentina. Shfaqja u prodhua n\u00eb bashk\u00ebpunim me Piccolo Teatro di Milano \u2013 Teatro d'Europa dhe Fondazione Teatro di Roma \u2013 Teatro Nazionale. E nd\u00ebrtuar si nj\u00eb p\u00ebrrall\u00eb bashk\u00ebkohore, shfaqja sillet rreth nj\u00eb letre mjek\u00ebsore q\u00eb nj\u00eb grua e re duhet ta p\u00ebrkthej\u00eb p\u00ebr n\u00ebn\u00ebn e saj rumune, duke zbuluar nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb dhimbshme. N\u00eb zem\u00ebr t\u00eb rr\u00ebfimit \u00ebsht\u00eb marr\u00ebdh\u00ebnia midis s\u00eb v\u00ebrtet\u00ebs dhe g\u00ebnjeshtr\u00ebs, e eksploruar p\u00ebrmes tem\u00ebs s\u00eb p\u00ebrkthimit si nj\u00eb mjet i brisht\u00eb por i fuqish\u00ebm, i aft\u00eb t\u00eb nxjerr\u00eb n\u00eb pah identitetet e pezulluara midis gjuh\u00ebve, kulturave dhe institucioneve. Premiera e saj komb\u00ebtare n\u00eb Festivalin Romaeuropa u vendos si nj\u00eb shembull i shk\u00eblqyer i teatrit modern, fal\u00eb nd\u00ebrhyrjes s\u00eb vazhdueshme n\u00eb sken\u00eb t\u00eb nj\u00eb kameraje live, e cila e transformoi shfaqjen n\u00eb nj\u00eb film. <\/p>\n\n\n\n

\"53y3rjfq\"<\/figure>\n\n\n\n

Nj\u00eb utopi q\u00eb b\u00ebhet realitet <\/strong><\/p>\n\n\n\n

Nga 4 shtatori deri m\u00eb 16 n\u00ebntor, Festivali Romaeuropa ofroi 110 evente dhe priti mbi 700 artist\u00eb nga e gjith\u00eb bota, duke riafirmuar misionin e tij: t\u00eb transformoj\u00eb qytetin p\u00ebrmes kultur\u00ebs, nj\u00eb utopi e gjall\u00eb q\u00eb nga viti 1986. Qyteti \u00ebsht\u00eb transformuar n\u00eb nj\u00eb udh\u00ebkryq vall\u00ebzimi, muzike, teatri, artesh dixhitale dhe krijimesh p\u00ebr f\u00ebmij\u00eb, duke e themeluar Festivalin, t\u00eb themeluar n\u00eb vitin 1986 nga Monique Veaute dhe tani t\u00eb udh\u00ebhequr nga Fabrizio Grifasi, si nj\u00eb laborator t\u00eb gjall\u00eb p\u00ebr dialog dhe takim kulturor. "Romaeuropa", komentoi Guido Fabiani, President i Fondacionit Romaeuropa, "vazhdon t\u00eb jet\u00eb nj\u00eb hap\u00ebsir\u00eb p\u00ebr takime dhe zbulime, ku artist\u00ebt dhe publiku angazhohen me gjuh\u00eb t\u00eb ndryshme dhe ku bashk\u00ebveprojn\u00eb breza t\u00eb shumt\u00eb artistik\u00eb. Fal\u00ebnderojm\u00eb Ministrin\u00eb e Kultur\u00ebs, Rajonin e Lacios dhe Kryeqytetin e Rom\u00ebs, t\u00eb cil\u00ebt e kan\u00eb b\u00ebr\u00eb t\u00eb mundur k\u00ebt\u00eb udh\u00ebtim p\u00ebrs\u00ebri k\u00ebt\u00eb vit, s\u00eb bashku me Ambasadat dhe Institutet Kulturore q\u00eb marrin pjes\u00eb n\u00eb Festival dhe p\u00ebrfaq\u00ebsojn\u00eb plot\u00ebsisht frym\u00ebn e tij nd\u00ebrkomb\u00ebtare.". <\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Kruder & Dorfmeister e Ryoji Ikeda, star della musica mondiale, all\u2019Auditorium Parco della Musica \u201cEnnio Morricone\u201d, chiudono la 40\u00aa edizione del festival, che porta a Roma i maggiori artisti del panorama internazionale. Per il teatro appuntamenti speciali fino al 23 novembre Di Rosalba Panzieri Roma si prepara a vivere un epilogo memorabile per Romaeuropa Festival, […]<\/p>\n","protected":false},"author":16,"featured_media":6503,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","iawp_total_views":33,"footnotes":""},"categories":[446],"tags":[],"class_list":["post-6502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-2"],"_links":{"self":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/comments?post=6502"}],"version-history":[{"count":1,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6502\/revisions"}],"predecessor-version":[{"id":6506,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6502\/revisions\/6506"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media\/6503"}],"wp:attachment":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media?parent=6502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/categories?post=6502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/tags?post=6502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}