{"id":6511,"date":"2025-12-03T17:01:51","date_gmt":"2025-12-03T17:01:51","guid":{"rendered":"https:\/\/albanitaly.al\/?p=6511"},"modified":"2025-12-03T17:09:40","modified_gmt":"2025-12-03T17:09:40","slug":"atomike-kujtimi-i-hiroshimes-dhe-rreziku-i-tanishem-ndergjegjja-dhe-vetem-e-atyre-qe-dyshojne-ne-te","status":"publish","type":"post","link":"https:\/\/albanitaly.al\/sq\/atomica-la-memoria-di-hiroshima-e-il-pericolo-presente-la-coscienza-e-solo-di-chi-ne-dubita\/","title":{"rendered":"\u00a0\u201c"Bomba Atomike", kujtimi i Hiroshim\u00ebs dhe rreziku i tanish\u00ebm. Nd\u00ebrgjegjja u p\u00ebrket vet\u00ebm atyre q\u00eb dyshojn\u00eb n\u00eb t\u00eb."},"content":{"rendered":"

Teatro India e Rom\u00ebs ishte plot e p\u00ebrplot p\u00ebr shfaqjen e trup\u00ebs Muta Imago, tashm\u00eb t\u00eb vler\u00ebsuar n\u00eb Festivalin Romaeuropa, e cila mb\u00ebshtetet n\u00eb dialogun epistolar midis filozofit Gunther Anders dhe pilotit Claude Eatherly, i cili hodhi bomb\u00ebn n\u00eb Hiroshima, gati i \u00e7mendur nga pendimi. Shfaqja do t\u00eb jet\u00eb n\u00eb sken\u00eb n\u00eb Torino nga 3 deri m\u00eb 7 dhjetor.<\/em><\/p>\n\n\n\n

Nga Rosalba Panzieri<\/p>\n\n\n\n

 Teatri Komb\u00ebtar sh\u00ebnon nj\u00eb sukses t\u00eb madh n\u00eb angazhimin qytetar, me shfaqjen m\u00eb t\u00eb fundit nga kompania Muta Imago, e cila angazhon dhe prek spektator\u00eb t\u00eb t\u00eb gjitha moshave.<\/p>\n\n\n\n

\u201c"Atomica" \u00ebsht\u00eb para s\u00eb gjithash historia e dy burrave, marr\u00ebdh\u00ebnies s\u00eb tyre dhe tensionit t\u00eb brisht\u00eb, por t\u00eb fuqish\u00ebm q\u00eb i lidh ata; nj\u00eb miq\u00ebsi katarsike, q\u00eb i mund\u00ebson atyre t\u00eb p\u00ebrballen s\u00eb bashku me forcat shkat\u00ebrruese t\u00eb njer\u00ebzimit dhe p\u00ebrballjen e pashmangshme me nd\u00ebrgjegjen e tyre. \u00cbsht\u00eb historia se si kujtimi i Hiroshim\u00ebs nuk \u00ebsht\u00eb thjesht nj\u00eb gj\u00eb e s\u00eb kaluar\u00ebs, por vazhdon t\u00eb v\u00ebr\u00eb n\u00eb pik\u00ebpyetje t\u00eb tashmen, duke na detyruar t\u00eb p\u00ebrballemi me p\u00ebrgjegj\u00ebsin\u00eb e zgjedhjeve tona teknologjike dhe politike.  <\/p>\n\n\n\n

\"imazhi<\/figure>\n\n\n\n

 Korrespondenca q\u00eb b\u00ebhet teat\u00ebr<\/strong>  <\/p>\n\n\n\n

Dramaturgjia bazohet n\u00eb shk\u00ebmbimin epistolar midis G\u00fcnther Anders dhe Claude Eatherly, pilotit t\u00eb Straight Flush i cili hodhi bomb\u00ebn n\u00eb Hiroshima. I paaft\u00eb p\u00ebr t'u \u00e7liruar nga barra morale e atij veprimi, Eatherly p\u00ebrfshihet n\u00eb nj\u00eb vorbull faji, vjedhjeje, p\u00ebrpjekjesh vet\u00ebvrasjeje dhe izolimi, duke p\u00ebrfunduar n\u00eb fund n\u00eb spitalin psikiatrik ushtarak n\u00eb Waco. Ishte atje, n\u00eb vitin 1959, q\u00eb ai mori nj\u00eb let\u00ebr nga Anders, nj\u00eb filozof i p\u00ebrkushtuar ndaj analizimit t\u00eb marr\u00ebdh\u00ebnies s\u00eb njer\u00ebzimit me teknologjin\u00eb, nj\u00eb ish-student i Heidegger dhe bashk\u00ebshorti i Hannah Arendt. Claude i p\u00ebrkushtohet pa rezerva atij takimi epistolar, i cili nxit nj\u00eb dialog t\u00eb thell\u00eb mbi etik\u00ebn, p\u00ebrgjegj\u00ebsin\u00eb dhe mund\u00ebsin\u00eb e shpengimit. S\u00eb bashku, ata do t\u00eb bashkojn\u00eb vizionet dhe q\u00ebllimet e tyre p\u00ebr t\u00eb p\u00ebrhapur mesazhin e tyre t\u00eb paqes dhe nj\u00eb paralajm\u00ebrim kund\u00ebr rrezikut b\u00ebrthamor, i cili nuk \u00ebsht\u00eb shmangur kurr\u00eb. Claude, i cili pas kthimit t\u00eb tij n\u00eb sht\u00ebpi p\u00ebrsh\u00ebndetet si hero, \u00ebsht\u00eb i vetmi i ngarkuar pa turp nga p\u00ebrgjegj\u00ebsia p\u00ebr 200,000 vdekje. Ai e urren veten dhe dyshon thell\u00ebsisht n\u00eb nd\u00ebrgjegjen e tij. K\u00ebshtu, G\u00fcnther e sheh at\u00eb si "fajtorin e pafajsh\u00ebm" q\u00eb njeriu b\u00ebhet kur b\u00ebhet nj\u00eb ingranazh n\u00eb nj\u00eb sistem shkat\u00ebrrues. Ky fat i bie Klodit t\u00eb pavet\u00ebdijsh\u00ebm, i cili b\u00ebhet simbol i nj\u00eb shkat\u00ebrrueshm\u00ebrie t\u00eb padurueshme q\u00eb e shtyn t\u00eb jetoj\u00eb nj\u00eb jet\u00eb kaotike dhe vet\u00ebshkat\u00ebrruese. \u00cbsht\u00eb vet\u00eb filozofi, n\u00eb letr\u00ebn e tij t\u00eb par\u00eb drejtuar tij, ai q\u00eb e sheh k\u00ebt\u00eb gjendje t\u00eb keqe si nj\u00eb shenj\u00eb t\u00eb nj\u00eb nd\u00ebrgjegjeje ende t\u00eb gjall\u00eb. "P\u00ebrball\u00eb k\u00ebtij d\u00ebshtimi," shkruan Anders, "reagimi juaj \u00ebsht\u00eb kaotik dhe i \u00e7rregullt \u00ebsht\u00eb pra krejt\u00ebsisht i natyrsh\u00ebm. N\u00eb t\u00eb v\u00ebrtet\u00eb, do t\u00eb guxoja t\u00eb thoja se \u00ebsht\u00eb nj\u00eb shenj\u00eb e sh\u00ebndetit tuaj moral. Sepse reagimi juaj d\u00ebshmon p\u00ebr vitalitetin e nd\u00ebrgjegjes suaj.". <\/p>\n\n\n\n

 Nj\u00eb peizazh piktoresk i pezulluar midis kujtes\u00ebs dhe s\u00eb ardhmes <\/strong> <\/p>\n\n\n\n

N\u00eb sken\u00eb, Gabriele Portoghese mish\u00ebron nj\u00eb Claude t\u00eb munduar dhe t\u00eb pakapsh\u00ebm, nd\u00ebrsa Alessandro Berti mish\u00ebron nj\u00eb Anders t\u00eb kthjell\u00ebt dhe vizionar. T\u00eb dyja performancat jan\u00eb mjesht\u00ebrore, duke kapur \u00e7do ndryshim emocional me holl\u00ebsi dhe forc\u00eb. Aksioni zhvillohet n\u00eb nj\u00eb hap\u00ebsir\u00eb abstrakte, mendore, t\u00eb pezulluar midis para dhe pas shp\u00ebrthimit, ku kujtesa dhe perceptimi bashkohen. N\u00eb sfond, nj\u00eb objekt teknologjik i pap\u00ebrcaktuesh\u00ebm, me nj\u00eb joshje vintage dhe nj\u00eb parandjenj\u00eb futuriste, b\u00ebhet nj\u00eb simbol i reflektimit mbi rolin e teknologjis\u00eb: nj\u00eb pajisje q\u00eb duket se parashikon evolucionin e inteligjenc\u00ebs artificiale t\u00eb sotme dhe kujton drit\u00ebn tragjike t\u00eb shp\u00ebrthimit atomik, t\u00eb kapur n\u00eb fjal\u00ebn japoneze "pikadon", q\u00eb do t\u00eb thot\u00eb shkreptim\u00eb dhe bubullim\u00eb. N\u00eb k\u00ebt\u00eb hap\u00ebsir\u00eb fragmentesh vizuale dhe audio, z\u00ebrat e t\u00eb mbijetuarve japonez\u00eb t\u00eb tragjedis\u00eb p\u00ebrhapen si nj\u00eb mant\u00ebr e brendshme, nj\u00eb kor nd\u00ebrgjegjesh q\u00eb p\u00ebrfshin koh\u00ebn dhe ende flet sot p\u00ebr t\u00eb gjith\u00eb fajin dhe t\u00eb gjitha luft\u00ebrat. \u00cbsht\u00eb nj\u00eb kor q\u00eb mundon vesh\u00ebt e njeriut bashk\u00ebkohor, gjithmon\u00eb duke u p\u00ebrpjekur t\u00eb shp\u00ebtoj\u00eb p\u00ebrmes hutimit t\u00eb kaosit t\u00eb p\u00ebrditsh\u00ebm. "Kur i mor\u00ebm p\u00ebrs\u00ebri ato letra," shpjegojn\u00eb Claudia Sorace dhe Riccardo Fazi, "e kuptuam se bota kishte ndryshuar: deri von\u00eb, bomba atomike dukej tabu, di\u00e7ka q\u00eb duhej diskutuar vet\u00ebm me kujdes t\u00eb madh. Sot, megjithat\u00eb, diskutohet leht\u00eb, sikur t\u00eb ishte b\u00ebr\u00eb nj\u00eb mund\u00ebsi e pranueshme. Ky mutacion i gjuh\u00ebs dhe perceptimit \u00ebsht\u00eb nj\u00eb nga forcat l\u00ebviz\u00ebse pas shfaqjes." Me k\u00ebshillat letrare nga Paolo Giordano, shfaqja b\u00ebhet k\u00ebshtu nj\u00eb udh\u00ebtim teatral q\u00eb reflekton mbi fuqin\u00eb dhe kufijt\u00eb e njeriut, mbi brisht\u00ebsin\u00eb e qenieve njer\u00ebzore p\u00ebrball\u00eb teknologjis\u00eb dhe mbi tensionin midis shkat\u00ebrrimit dhe katarsisit.  <\/p>\n\n\n\n

 Bomba e djeshme, arm\u00ebt e sotme<\/strong>  <\/p>\n\n\n\n

Tet\u00ebdhjet\u00eb vjet pas Hiroshim\u00ebs, bota vazhdon t\u00eb jetoj\u00eb n\u00ebn hijen e arsenaleve gjithnj\u00eb e m\u00eb t\u00eb sofistikuara dhe shkat\u00ebrruese. Arm\u00ebt bashk\u00ebkohore b\u00ebrthamore, kimike, biologjike dhe tani dixhitale kan\u00eb arritur nj\u00eb fuqi t\u00eb aft\u00eb p\u00ebr t\u00eb asgj\u00ebsuar popullsi t\u00eb t\u00ebra brenda pak \u00e7astesh, duke e b\u00ebr\u00eb k\u00ebrc\u00ebnimin jo m\u00eb nj\u00eb kujtim t\u00eb s\u00eb kaluar\u00ebs, por nj\u00eb mund\u00ebsi konkrete t\u00eb s\u00eb tashmes. \u00cbsht\u00eb nga kjo perspektiv\u00eb q\u00eb "Atomica" na detyron t\u00eb shohim realitetin. Bomba e djeshme nuk \u00ebsht\u00eb nj\u00eb kapitull i mbyllur, por nj\u00eb paralajm\u00ebrim i rip\u00ebrt\u00ebrir\u00eb p\u00ebrball\u00eb p\u00ebrhapjes dhe sip\u00ebrfaq\u00ebsis\u00eb me t\u00eb cil\u00ebn diskutohet lufta dhe parandalimi sot. Vet\u00ebm pasi pranon k\u00ebt\u00eb shkat\u00ebrrim, shfaqja hap nj\u00eb reflektim mbi teknologjin\u00eb dhe m\u00ebsimet e pam\u00ebsuara nga njer\u00ebzimi. N\u00eb vitet 1950, filozof\u00ebt G\u00fcnther Anders, s\u00eb bashku me Hannah Arendt dhe Martin Heidegger, kishin denoncuar tashm\u00eb rrezikun e nj\u00eb teknologjie t\u00eb aft\u00eb p\u00ebr t\u00eb tejkaluar njer\u00ebzimin q\u00eb e krijoi at\u00eb. Sot, n\u00eb epok\u00ebn e inteligjenc\u00ebs artificiale dhe fuqis\u00eb algoritmike, ky mendim b\u00ebhet p\u00ebrs\u00ebri urgjent: hendeku midis kapacitetit ton\u00eb teknologjik dhe p\u00ebrgjegj\u00ebsis\u00eb morale q\u00eb k\u00ebrkon \u00ebsht\u00eb b\u00ebr\u00eb nj\u00eb \u00e7\u00ebshtje thelb\u00ebsore. Atomica shqyrton pik\u00ebrisht k\u00ebt\u00eb \u00e7arje, duke gjurmuar nj\u00eb fije q\u00eb lidh bomb\u00ebn e Hiroshim\u00ebs me teknologjit\u00eb bashk\u00ebkohore, shkat\u00ebrrimin me krijimin, fajin me vet\u00ebdijen.  <\/p>\n\n\n\n

\"imazhi<\/figure>\n\n\n\n

Nj\u00eb udh\u00ebtim teatral p\u00ebrmes brisht\u00ebsis\u00eb njer\u00ebzore \u2013 datat e turneut  <\/strong><\/p>\n\n\n\n

Pas suksesit t\u00eb Tre Sorelle dhe \u00e7mimeve t\u00eb fituara me Ashes (\u00c7mimi Ubu 2021 p\u00ebr projektin m\u00eb t\u00eb mir\u00eb t\u00eb z\u00ebrit dhe aktorin m\u00eb t\u00eb mir\u00eb kryesor), Muta Imago rikthehet me \u201cAtomica\u201d, prodhuar nga Index dhe bashk\u00ebprodhuar nga TPE \u2013 Teatro Piemonte Europa, n\u00eb bashk\u00ebpunim me Politecnico di Torino \u2013 Prometeo Tech Cultures dhe Emilia Romagna Teatro ERT \/ Teatro Nazionale. <\/p>\n\n\n\n

Shfaqja do t\u00eb jet\u00eb n\u00eb sken\u00eb n\u00eb Torino, TPE Teatro Astra, nga 3 deri m\u00eb 7 dhjetor, dhe n\u00eb Bolonj\u00eb, Arena del Sole, nga 16 deri m\u00eb 17 janar 2026.<\/p>\n\n\n\n

FOTO NGA ELEONORA MATTOZZI<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Teatro India di Roma gremito per lo spettacolo della compagnia Muta Imago, gi\u00e0 acclamato al Romaeuropa Festival, che nasce dal dialogo epistolare tra il filosofo Gunther Anders e il pilota Claude Eatherly, che sganci\u00f2 la bomba su Hiroshima, quasi impazzendo per il rimorso. Dal 3 al 7 dicembre in scena a Torino Di Rosalba Panzieri […]<\/p>\n","protected":false},"author":16,"featured_media":6512,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","iawp_total_views":34,"footnotes":""},"categories":[446],"tags":[],"class_list":["post-6511","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-2"],"_links":{"self":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/comments?post=6511"}],"version-history":[{"count":2,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6511\/revisions"}],"predecessor-version":[{"id":6516,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6511\/revisions\/6516"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media\/6512"}],"wp:attachment":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media?parent=6511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/categories?post=6511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/tags?post=6511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}