{"id":6525,"date":"2025-12-11T23:32:10","date_gmt":"2025-12-11T23:32:10","guid":{"rendered":"https:\/\/albanitaly.al\/?p=6525"},"modified":"2025-12-11T23:33:01","modified_gmt":"2025-12-11T23:33:01","slug":"te-vertetat-e-pezulluara-4-raste-gjyqesore-emblematike-per-nje-teater-te-ndergjegjes","status":"publish","type":"post","link":"https:\/\/albanitaly.al\/sq\/le-verita-sospese-4-casi-giudiziari-emblematici-per-un-teatro-della-coscienza\/","title":{"rendered":"\u201c"T\u00eb v\u00ebrteta t\u00eb pezulluara": Kat\u00ebr raste ligjore emblematike p\u00ebr nj\u00eb teat\u00ebr t\u00eb nd\u00ebrgjegjes."},"content":{"rendered":"

Nga \u00e7\u00ebshtja Mori te Marta Russo, nga Palamara te Moroni, Luca De Fusco sjell n\u00eb sken\u00eb vet\u00eb iden\u00eb e drejt\u00ebsis\u00eb. Nj\u00eb reflektim mbi nd\u00ebrgjegjen kolektive q\u00eb p\u00ebrfshin mbi 30 vjet histori italiane. Nga 9 dhjetori deri m\u00eb 21 prill n\u00eb Teatro Torlonia.<\/em><\/p>\n\n\n\n

Drita e fakteve \u00ebsht\u00eb gj\u00ebja m\u00eb e k\u00ebrc\u00ebnuar n\u00eb histori nga njer\u00ebzimi dhe koha. K\u00ebrkimi i Italis\u00eb p\u00ebr t\u00eb v\u00ebrtet\u00ebn shpesh \u00ebsht\u00eb ndeshur me hijet e veta, pik\u00ebrisht p\u00ebrball\u00eb \u00e7\u00ebshtjeve gjyq\u00ebsore q\u00eb kan\u00eb tronditur ndjenj\u00ebn e siguris\u00eb s\u00eb popullsis\u00eb. <\/p>\n\n\n\n

Teatro di Roma rigjall\u00ebron rolin e sken\u00ebs si nj\u00eb hap\u00ebsir\u00eb p\u00ebr vet\u00ebdije kolektive me "T\u00eb V\u00ebrtetat e Pezulluara", nj\u00eb projekt i konceptuar nga Drejtori Artistik Luca De Fusco q\u00eb e transformon Teatro Torlonia n\u00eb nj\u00eb agora bashk\u00ebkohore. Nga 9 dhjetori deri m\u00eb 21 prill, kat\u00ebr ngjarje mbr\u00ebmjeje sjellin disa nga \u00e7\u00ebshtjet ligjore m\u00eb t\u00eb diskutueshme n\u00eb historin\u00eb e koh\u00ebve t\u00eb fundit italiane p\u00ebrs\u00ebri n\u00eb qend\u00ebr t\u00eb debatit publik. De Fusco, s\u00eb bashku me Anna Ammirati, Alessandro Barbano dhe Goffredo Buccini, e \u00e7on audienc\u00ebn n\u00eb vende ku drejt\u00ebsia \u00ebsht\u00eb e gabuar, e v\u00ebrteta \u00ebsht\u00eb e shkat\u00ebrruar dhe gjykimi shoq\u00ebror p\u00ebrputhet me gjykimin procedural.<\/p>\n\n\n\n

N\u00eb nj\u00eb koh\u00eb kur narrativat mediatike rrezikojn\u00eb t\u00eb z\u00ebvend\u00ebsojn\u00eb faktet, teatri b\u00ebhet nj\u00eb vend p\u00ebr marrje n\u00eb pyetje kritike: jo p\u00ebr t\u00eb rishkruar gjyqet, por p\u00ebr t\u00eb ekspozuar kompleksitetin, dyshimet, gabimet dhe p\u00ebrgjegj\u00ebsit\u00eb. Nj\u00eb grusht rastesh emblematike (rasti Mori, rasti Marta Russo, rasti Moroni dhe skandali Palamara) riv\u00ebn\u00eb n\u00eb sken\u00eb jo si spektak\u00ebl, por si nj\u00eb ushtrim qytetarie, nj\u00eb ftes\u00eb p\u00ebr t\u00eb par\u00eb fushat e err\u00ebta t\u00eb gjyq\u00ebsorit dhe p\u00ebrfaq\u00ebsimeve t\u00eb tij publike.<\/p>\n\n\n\n

Teatri si nj\u00eb forum p\u00ebr debat civil<\/strong><\/p>\n\n\n\n

Diskutimin dhe reflektimin shoq\u00ebror do ta udh\u00ebheqin dy gazetar\u00eb t\u00eb respektuar italian\u00eb, Alessandro Barbano dhe Goffredo Buccini, t\u00eb shoq\u00ebruar nga aktorja Anna Ammirati, e cila e udh\u00ebheq audienc\u00ebn p\u00ebrmes d\u00ebshmive, pyetjeve pa p\u00ebrgjigje dhe perspektivave t\u00eb ndryshme. \u00c7do takim b\u00ebhet k\u00ebshtu nj\u00eb laborator p\u00ebr t\u00eb menduarit kritik, nj\u00eb vend ku komuniteti mund t\u00eb rishqyrtoj\u00eb ekuilibrin e brisht\u00eb midis drejt\u00ebsis\u00eb dhe moralit, midis procesit t\u00eb rregullt ligjor dhe opinionit publik, midis s\u00eb v\u00ebrtet\u00ebs procedurale dhe s\u00eb v\u00ebrtet\u00ebs s\u00eb perceptuar.<\/p>\n\n\n\n

Me "T\u00eb V\u00ebrtetat e Pezulluara", Teatro di Roma riafirmon funksionin qytetar t\u00eb artit: jo p\u00ebr t\u00eb arg\u00ebtuar, por p\u00ebr t\u00eb ndri\u00e7uar. Jo p\u00ebr t\u00eb mbyllur raste, por p\u00ebr t\u00eb hapur nd\u00ebrgjegje. Sidomos ato t\u00eb brezave t\u00eb rinj, m\u00eb pak t\u00eb ndikuar nga paragjykimet e s\u00eb kaluar\u00ebs dhe m\u00eb t\u00eb hapur p\u00ebr t\u00eb rimenduar marr\u00ebdh\u00ebnien midis institucioneve, medias dhe publikut.<\/p>\n\n\n\n

Drejt\u00ebsia si nj\u00eb detyr\u00eb morale ndaj qenieve njer\u00ebzore<\/strong><\/p>\n\n\n\n

Si\u00e7 shpjegon regjisori Luca De Fusco, "\u00e7\u00ebshtjet q\u00eb kemi zgjedhur t\u00eb mbulojm\u00eb nuk jan\u00eb kurr\u00eb procedura t\u00eb hapura gjyq\u00ebsore. Titulli i serialit, i konceptuar nga Silvia Garbasino, e b\u00ebn t\u00eb qart\u00eb k\u00ebt\u00eb. Ne nuk duam t\u00eb rihapim gjyqet, por p\u00ebrkundrazi t\u00eb reflektojm\u00eb mbi at\u00eb q\u00eb ato ngjarje n\u00ebnkuptonin p\u00ebr shoq\u00ebrin\u00eb italiane". Ai fillon m\u00eb 9 dhjetor me "Nderi i nj\u00eb Gjenerali", n\u00eb t\u00eb cilin vet\u00eb Mori do t\u00eb rr\u00ebfej\u00eb "situat\u00ebn q\u00eb \u00e7oi nj\u00eb hero anti-mafie t\u00eb hetohej p\u00ebr p\u00ebrfshirje n\u00eb mafien". "Ne pyesim veten", vazhdon De Fusco, "\u00e7far\u00eb i mbetet vendit sot nga ajo periudh\u00eb historike. E nj\u00ebjta gj\u00eb vlen edhe p\u00ebr Tangentopolin, t\u00eb cilit i qasemi duke filluar me letr\u00ebn e Moronit. Ne gjithmon\u00eb fillojm\u00eb me nj\u00eb let\u00ebr: Ana i lexon ato n\u00eb fillim dhe episodi zhvillohet prej andej. Ato jan\u00eb d\u00ebshmi t\u00eb gjalla, edhe kur u p\u00ebrkasin njer\u00ebzve q\u00eb nuk jan\u00eb m\u00eb me ne, si Ambrosoli ose Moroni". K\u00ebto jan\u00eb letra q\u00eb rr\u00ebfejn\u00eb ngjarje t\u00eb v\u00ebrteta, mish t\u00eb gjall\u00eb, dhe sjellja e tyre n\u00eb sken\u00eb do t\u00eb thot\u00eb t'i transformosh ato n\u00eb nj\u00eb monolog, nj\u00eb pjes\u00eb teatri. <\/p>\n\n\n\n

Teatri b\u00ebhet k\u00ebshtu nj\u00eb mund\u00ebsi p\u00ebr eksplorim psikologjik dhe njer\u00ebzor t\u00eb protagonist\u00ebve t\u00eb k\u00ebtyre ngjarjeve. Nj\u00eb qasje e re skenike udh\u00ebhoqi hetimin e aktores Anna Ammirati, p\u00ebr t\u00eb kuptuar, kur ndodhin k\u00ebto ngjarje, "\u00e7far\u00eb ndodh n\u00eb psikik\u00ebn njer\u00ebzore? \u00c7far\u00eb ndodh n\u00eb mendjen e nj\u00eb magjistrati kur ai fillon nj\u00eb pun\u00eb q\u00eb mund t\u00eb shkat\u00ebrroj\u00eb v\u00ebrtet jet\u00ebn e nj\u00eb personi, t\u00eb pafajsh\u00ebm apo jo?" "Po e p\u00ebrjetoj k\u00ebt\u00eb projekt," thekson Ammirati, "pik\u00ebrisht nga kjo perspektiv\u00eb: Jam e interesuar t\u00eb kuptoj qeniet njer\u00ebzore, \u00e7far\u00eb ndodh brenda tyre. Kjo \u00ebsht\u00eb ajo q\u00eb m\u00eb angazhon m\u00eb shum\u00eb." Tema e k\u00ebtyre shfaqjeve \u00ebsht\u00eb drejt\u00ebsia, dhe titulli shpreh n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrshtatshme fush\u00ebn e reflektimit. Si\u00e7 thekson Goffredo Buccini, "po flasim p\u00ebr gjyqe t\u00eb mbyllura q\u00eb megjithat\u00eb kan\u00eb l\u00ebn\u00eb nj\u00eb gjurm\u00eb polemikash dhe, n\u00eb disa raste, dyshimi. \u00cbsht\u00eb nj\u00eb tem\u00eb prej mishi dhe gjaku, e cila p\u00ebrshkon lajmet e p\u00ebrditshme.". <\/p>\n\n\n\n

Ky projekt filloi t\u00eb inkubohej disa vjet m\u00eb par\u00eb dhe u pjek nga reflektimet e p\u00ebrbashk\u00ebta midis Barbanos, Buccinit dhe De Fuscos. <\/p>\n\n\n\n

\u201c"Dua t\u00eb sqaroj," thekson Buccini, "dhe flas n\u00eb em\u00ebr t\u00eb koleg\u00ebve t\u00eb mi, se ky nuk \u00ebsht\u00eb n\u00eb asnj\u00eb m\u00ebnyr\u00eb nj\u00eb operacion politik i lidhur me referendumin. \u00cbsht\u00eb detyra jon\u00eb t\u00eb reflektojm\u00eb. P\u00ebr mua, historia e Gjeneral Morit \u00ebsht\u00eb ve\u00e7an\u00ebrisht e r\u00ebnd\u00ebsishme: Kam nj\u00eb dashuri t\u00eb fort\u00eb p\u00ebr Karabinier\u00ebt dhe e gjej dometh\u00ebn\u00ebse q\u00eb nj\u00eb njeri q\u00eb duhet t\u00eb kishte kaluar nj\u00ebzet vjet duke u shpjeguar universiteteve se si t\u00eb luftohej mafia dhe terrorizmi, n\u00eb vend t\u00eb k\u00ebsaj, iu desh t\u00eb kalonte nj\u00ebzet vjet duke shpjeguar se nuk ishte n\u00eb bashk\u00ebpunim me mafian. Kjo thot\u00eb shum\u00eb p\u00ebr nj\u00eb vend t\u00eb ndotur nga ideologjia.". <\/p>\n\n\n\n

Buccini gjithashtu fton p\u00ebr reflektim mbi rolin thelb\u00ebsor t\u00eb shtypit, i cili duhet t\u00eb shoq\u00ebrohet nga nj\u00eb etik\u00eb e fort\u00eb: "Kjo na shqet\u00ebson edhe ne gazetar\u00ebve. Mori na kujtoi se disa lloje shtypi kan\u00eb shkruar disa nga faqet m\u00eb t\u00eb turpshme n\u00eb historin\u00eb ton\u00eb. Duhet ta kujtojm\u00eb k\u00ebt\u00eb sa her\u00eb q\u00eb raportojm\u00eb p\u00ebr nj\u00eb gjyq: para nesh \u00ebsht\u00eb nj\u00eb i pandehur, i pafajsh\u00ebm ose fajtor, i cili ka nj\u00eb familje, miq, nj\u00eb bot\u00eb q\u00eb dhunohet nga gjyqi dhe nga ajo q\u00eb shkruajm\u00eb. Un\u00eb e them k\u00ebt\u00eb i pari dhe b\u00ebj ndreqje. \u00cbsht\u00eb nj\u00eb p\u00ebrgjegj\u00ebsi q\u00eb nuk duhet ta harrojm\u00eb kurr\u00eb.". <\/p>\n\n\n\n

Datat dhe rastet e mbuluara. <\/strong><\/p>\n\n\n\n

Nderi i nj\u00eb Gjenerali \u2013 Rasti Mori<\/strong><\/p>\n\n\n\n

Mario Mori, nj\u00eb oficer i Karabinier\u00ebve i trajnuar nga Dalla Chiesa, udh\u00ebhoqi operacione vendimtare kund\u00ebr Cosa Nostra-s, p\u00ebrfshir\u00eb arrestimin e Tot\u00f2 Riina-s n\u00eb vitin 1993. Megjithat\u00eb, suksesi i tij kund\u00ebr mafias e solli Morin n\u00eb qend\u00ebr t\u00eb v\u00ebmendjes me tre procedura ligjore: vonimin e k\u00ebrkimit t\u00eb vendstrehimit t\u00eb Riina-s, ndihm\u00ebn dhe inkurajimin e dyshuar t\u00eb statusit t\u00eb arratisur t\u00eb Provenzanos dhe negociatat e dyshuara midis shtetit dhe mafias. Ai u lirua nga akuzat n\u00eb t\u00eb gjitha rastet: vendimet konfirmuan se nuk u zhvilluan negociata dhe as nuk iu ofruan favore mafias. Mori mbetet nj\u00eb figur\u00eb kontraverse n\u00eb historin\u00eb italiane, nj\u00eb simbol i tensioneve.<\/p>\n\n\n\n

Vet\u00ebvrasje me akuz\u00eb \u2013 Rasti Moroni<\/strong><\/p>\n\n\n\n

Historia e Sergio Moronit \u00ebsht\u00eb nj\u00eb nga plag\u00ebt m\u00eb t\u00eb thella t\u00eb hetimit Mani Pulite. Nj\u00eb deputet socialist dhe udh\u00ebheq\u00ebs i Partis\u00eb Socialiste Italiane (PSI), ai kreu vet\u00ebvrasje m\u00eb 2 shtator 1992, pasi mori dy njoftime p\u00ebr hetim gjat\u00eb hetimit Mani Pulite. N\u00eb nj\u00eb let\u00ebr drejtuar Giorgio Napolitanos, ai denoncoi nj\u00eb klim\u00eb presioni dhe gjyqesh t\u00eb shkurtra q\u00eb shkat\u00ebrruan jet\u00eb dhe familje. Akti i tij mbetet nj\u00eb simbol tragjik i asaj periudhe politike, t\u00eb sh\u00ebnuar nga konflikte t\u00eb forta midis drejt\u00ebsis\u00eb dhe politik\u00ebs.<\/p>\n\n\n\n

Nj\u00eb m\u00ebngjes n\u00eb Universitetin Sapienza \u2013 Rasti i Marta Russo-s<\/strong><\/p>\n\n\n\n

M\u00eb 9 maj 1997, Marta Russo, nj\u00eb studente 22-vje\u00e7are e drejt\u00ebsis\u00eb, u q\u00ebllua n\u00eb kok\u00eb nd\u00ebrsa ecte n\u00eb oborrin e universitetit t\u00eb saj. Ajo vdiq pes\u00eb dit\u00eb m\u00eb von\u00eb. Hetimi u b\u00eb menj\u00ebher\u00eb nj\u00eb nga m\u00eb t\u00eb diskutueshmit n\u00eb lajmet italiane: nuk u gjet asnj\u00eb arm\u00eb, asnj\u00eb motiv i besuesh\u00ebm dhe rrethanat nuk u sqaruan kurr\u00eb. Pavar\u00ebsisht munges\u00ebs s\u00eb provave materiale dhe nj\u00eb lidhjeje t\u00eb qart\u00eb me krimin, dy asistent\u00eb universitar\u00eb, Giovanni Scattone dhe Salvatore Ferraro, t\u00eb cil\u00ebt gjithmon\u00eb kishin mbajtur pafaj\u00ebsin\u00eb e tyre, u d\u00ebnuan p\u00ebr vrasje t\u00eb paq\u00ebllimshme dhe ndihm\u00eb dhe inkurajim. Gjykimi la dyshime t\u00eb m\u00ebdha pa p\u00ebrgjigje: asnj\u00eb prov\u00eb t\u00eb drejtp\u00ebrdrejt\u00eb, asnj\u00eb prov\u00eb teknike vendimtare. Nj\u00eb rast q\u00eb, edhe sot, mbetet p\u00ebr shum\u00eb njer\u00ebz nj\u00eb simbol i nj\u00eb t\u00eb v\u00ebrtete gjyq\u00ebsore shum\u00eb larg t\u00eb qenit e sigurt.<\/p>\n\n\n\n

Hotel Champagne \u2013 Rasti Palamara<\/strong><\/p>\n\n\n\n

Luca Palamara ishte presidenti m\u00eb i ri i Shoqat\u00ebs Komb\u00ebtare t\u00eb Magjistrat\u00ebve (ANM) dhe m\u00eb pas i pari q\u00eb u p\u00ebrjashtua. N\u00eb vitin 2019, nj\u00eb kal\u00eb trojan i instaluar n\u00eb telefonin e tij celular zbuloi biseda q\u00eb zbulonin rolin e tij si nd\u00ebrmjet\u00ebs n\u00eb em\u00ebrimin e pozicioneve t\u00eb larta t\u00eb prokuror\u00ebve. Kjo shkaktoi skandalin e Hotel Champagne, i cili mori emrin nga vendi ku mbaheshin takime t\u00eb r\u00ebnd\u00ebsishme. CSM u shkat\u00ebrrua. N\u00eb vitin 2020, ai u p\u00ebrjashtua nga gjyq\u00ebsori, nj\u00eb vendim i mb\u00ebshtetur nga Gjykata Supreme e Kasacionit. Ai u akuzua p\u00ebr korrupsion. Gjyqi p\u00ebrfundoi n\u00eb vitin 2023 me nj\u00eb marr\u00ebveshje pranimi faj\u00ebsie prej nj\u00eb viti p\u00ebr ushtrim ndikimi. Por historia e tij \u00ebsht\u00eb larg t\u00eb mbaruarit. Nd\u00ebrkoh\u00eb, Palamara \u00ebsht\u00eb gati t\u00eb botoj\u00eb nj\u00eb lib\u00ebr t\u00eb ri q\u00eb premton t\u00eb jet\u00eb plot me zbulime t\u00eb reja.<\/p>\n\n\n\n

Alessandro Barbano<\/strong>, gazetar dhe shkrimtar, \u00ebsht\u00eb drejtor redaktues i \u00abl'Altravoce\u00bb. Ai ka redaktuar "Il Messaggero", "Il Riformista", "Il Mattino" dhe "Corriere dello Sport-Stadio". Ka dh\u00ebn\u00eb m\u00ebsim gazetari n\u00eb universitete t\u00eb ndryshme dhe \u00ebsht\u00eb autor i dhjet\u00eb eseve mbi gazetarin\u00eb dhe \u00e7\u00ebshtjet politike dhe sociale, duke p\u00ebrfshir\u00eb \u00abLa gogna\u00bb, Marsilio 2023; \u00abL'inganno\u00bb, Marsilio 2022; \u00abTroppi diritti\u00bb, \u00abLe dieci bugie\u00bb dhe \u00abla Visione\u00bb, Mondadori 2018-2020, \u00abDove andremo a fine\u00bb, Einaudi 2011, Manuale di giornale, Laterza 2102. Ai ka marr\u00eb \u00e7mime dhe mir\u00ebnjohje, duke p\u00ebrfshir\u00eb \u00e7mimin Bordin, \u00e7mimin Komb\u00ebtar t\u00eb Unionit p\u00ebr informacionin gjyq\u00ebsor.<\/p>\n\n\n\n

Godfrey Buccini<\/strong>, gazetar dhe shkrimtar, \u00ebsht\u00eb kolumnist p\u00ebr Corriere della Sera mbi politik\u00ebn e jashtme dhe t\u00eb brendshme. Si reporter, ai mbuloi epok\u00ebn Mani Pulite, si korrespondent i Nju Jorkut r\u00ebnien e Kullave Binjake dhe si kryeredaktor, drejtoi botimin romak t\u00eb Corriere della Sera. Ai ka botuar tre romane dhe shtat\u00eb ese, e fundit prej t\u00eb cilave u botua nga Laterza: "La Repubblica sotto processo" (fitues i \u00c7mimit Bordin 2024). Aktualisht po boton nj\u00eb ese mbi r\u00ebnien e demokracive dhe ngritjen e autokracive n\u00eb shekullin e 21-t\u00eb, botuar nga Neri Pozza.<\/p>\n\n\n\n

FOTO NGA MANUELA GIUSTI<\/p>","protected":false},"excerpt":{"rendered":"

Dal caso Mori a Marta Russo, da Palamara a Moroni, Luca De Fusco, porta in scena l\u2019idea stessa di giustizia. Una riflessione sulla coscienza collettiva che abbraccia oltre 30 anni di storia italiana. Dal 9 dicembre al 21 aprile al Teatro Torlonia La luce dei fatti \u00e8 quanto di pi\u00f9 minacciato dall\u2019umano e dal tempo […]<\/p>\n","protected":false},"author":16,"featured_media":6526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","iawp_total_views":30,"footnotes":""},"categories":[446],"tags":[],"class_list":["post-6525","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-2"],"_links":{"self":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/comments?post=6525"}],"version-history":[{"count":2,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6525\/revisions"}],"predecessor-version":[{"id":6528,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6525\/revisions\/6528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media\/6526"}],"wp:attachment":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media?parent=6525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/categories?post=6525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/tags?post=6525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}