{"id":6765,"date":"2026-05-11T21:29:47","date_gmt":"2026-05-11T21:29:47","guid":{"rendered":"https:\/\/albanitaly.al\/?p=6765"},"modified":"2026-05-11T21:29:49","modified_gmt":"2026-05-11T21:29:49","slug":"festivali-romaeuropa-2026-evropa-nje-toke-lidhjesh","status":"publish","type":"post","link":"https:\/\/albanitaly.al\/sq\/romaeuropa-festival-2026leuropa-territorio-di-relazione\/","title":{"rendered":"Festivali Romaeuropa 2026: Europa si nj\u00eb hap\u00ebsir\u00eb p\u00ebr lidhje\u00a0"},"content":{"rendered":"

Edicioni i 41-t\u00eb i festivalit u prezantua n\u00eb Rom\u00eb; q\u00eb nga viti 1986, ai ka mikpritur artist\u00ebt m\u00eb t\u00eb m\u00ebdhenj n\u00eb sken\u00ebn nd\u00ebrkomb\u00ebtare bashk\u00ebkohore dhe \u00ebsht\u00eb b\u00ebr\u00eb nj\u00eb ngjarje kryesore p\u00ebr teatrin, k\u00ebrcimin, performanc\u00ebn, muzik\u00ebn, artin digjital dhe nj\u00eb seksion t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb dedikuar f\u00ebmij\u00ebve. Nj\u00eb edicion q\u00eb sh\u00ebnon rihapjen e Teatro Valle. 100 shfaqje n\u00eb 240 performanca dhe rreth 1,000 artist\u00eb nga e gjith\u00eb bota p\u00ebr t\u00eb na kujtuar se \u00ebnd\u00ebrrimi mbetet ende nj\u00eb nevoj\u00eb <\/em><\/p>\n\n\n\n

Nga Rosalba Panzieri <\/p>\n\n\n\n

N\u00eb nj\u00eb kontinent t\u00eb sh\u00ebnuar nga ndarjet, riorientimet dhe dob\u00ebsit\u00eb e reja, ekziston nj\u00eb vend ku d\u00ebshira p\u00ebr takime dhe shk\u00ebmbim kulturor mbetet e paprekur: Festivali Romaeuropa. Besnik misionit t\u00eb tij origjinal dhe gjithnj\u00eb n\u00eb zhvillim si nj\u00eb kryq\u00ebzim gjuh\u00ebsh, gjeografish dhe vizionesh, festivali arrin edicionin e tij t\u00eb 41-t\u00eb dhe kthehet n\u00eb kryeqytet nga 8 shtatori deri m\u00eb 15 n\u00ebntor. Festivali riafirmohet si nj\u00eb organiz\u00ebm i gjall\u00eb, nj\u00eb laborator ku artet jo vet\u00ebm p\u00ebrfaq\u00ebsojn\u00eb t\u00eb tashmen, por e v\u00ebn\u00eb n\u00eb pyetje, sfidojn\u00eb dhe e rikrijojn\u00eb at\u00eb.<\/p>\n\n\n\n

Q\u00eb nga themelimi i saj, Romaeuropa ka zgjedhur t\u00eb jet\u00eb nj\u00eb hap\u00ebsir\u00eb p\u00ebr lidhje, nj\u00eb vend ku muzika, vall\u00ebzimi, teatri, krijimi dixhital dhe programet p\u00ebr f\u00ebmij\u00eb nd\u00ebrthuren p\u00ebr t\u00eb formuar nj\u00eb p\u00ebrvoj\u00eb kolektive t\u00eb vetme. Kjo p\u00ebrmbledhet n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrshtatshme nga fjal\u00ebt e Presidentit t\u00eb Fondacionit, Guido Fabiani: "Europa nuk \u00ebsht\u00eb thjesht nj\u00eb horizont kulturor, por nj\u00eb praktik\u00eb konkrete e lidhjes".\u00a0\u00a0N\u00eb t\u00eb tashmen ton\u00eb, t\u00eb sh\u00ebnuar nga paq\u00ebndrueshm\u00ebria dhe transformimet e thella, kjo thirrje b\u00ebhet edhe m\u00eb e nevojshme. <\/p>\n\n\n\n

Drejtor i P\u00ebrgjithsh\u00ebm dhe Artistik, Fabrizio Grifasi, e p\u00ebrshkruan at\u00eb si nj\u00eb akt p\u00ebrgjegj\u00ebsie, i destinuar p\u00ebr "ruajtjen e kompleksitetit dhe krijimin e hap\u00ebsirave p\u00ebr dialog midis gjuh\u00ebve, gjeografive dhe ndjeshm\u00ebrive t\u00eb ndryshme". "\u00cbsht\u00eb nga ky ndjenj\u00eb urgjence," thekson Grifasi, "q\u00eb fillon edicioni i 41-t\u00eb: nj\u00eb ftes\u00eb p\u00ebr t\u00eb d\u00ebgjuar dhe p\u00ebr t\u00eb par\u00eb krijimin artistik si nj\u00eb p\u00ebrvoj\u00eb q\u00eb \u00ebsht\u00eb ende e gjall\u00eb dhe e nevojshme.". <\/p>\n\n\n\n

\"WhatsApp,<\/figure>\n\n\n\n

Nj\u00eb program q\u00eb gjen nj\u00eb ekuilib\u00ebr midis tradit\u00ebs dhe inovacionit <\/strong><\/p>\n\n\n\n

Edicioni i vitit 2026 hapet me koreografen Sofia Nappi dhe kompanin\u00eb KOMOCO, e ndjekur nga Caterina Barbieri me ONCEIM dhe vepra t\u00eb reja t\u00eb komisionuara s\u00eb bashku nga Festivali dhe Filharmonia e Parisit. \u00cbsht\u00eb nj\u00eb nisje q\u00eb menj\u00ebher\u00eb vendos tonin, duke krijuar nj\u00eb dialog midis brezave dhe formave t\u00eb shprehjes sonore dhe fizike. Nd\u00ebr rikthimet m\u00eb t\u00eb pritura \u00ebsht\u00eb ai i Romeo Castelluccit me Faust. Fatto, non detto, i koproduktuar me Teatro di Roma, q\u00eb hap nj\u00eb kapitull t\u00eb ri n\u00eb historin\u00eb e gjat\u00eb t\u00eb bashk\u00ebpunimit midis Festivalit dhe SOCIETAS.<\/p>\n\n\n\n

Bashk\u00eb me t\u00eb \u00ebsht\u00eb nj\u00eb konstelacion figurash kryesore nga skena nd\u00ebrkomb\u00ebtare: Sasha Waltz, Benjamin Millepied me *November Ultra*, Wim Vandekeybus, Boris Charmatz dhe Rachid Ouramdane. Dhe pastaj jan\u00eb kompanit\u00eb kryesore evropiane t\u00eb k\u00ebrcimit: Opera Ballet Vlaanderen, me vepra nga Jan Martens, Anne Teresa De Keersmaeker dhe Christos Papadopoulos, dhe rikthimi i Ballet national de Marseille, i drejtuar nga (LA)HORDE, nj\u00eb nga emrat m\u00eb ikonik\u00eb t\u00eb koreografis\u00eb bashk\u00ebkohore.<\/p>\n\n\n\n

Por Festivali mbetet gjithashtu nj\u00eb vend ku tejkalohen kufijt\u00eb: kompania franceze Collectif XY vjen, e fresk\u00ebt nga Festivali i Avignonit; Groupe Acrobatique de Tanger kthehet, n\u00ebn drejtimin e Rapha\u00eblle Boitel; dhe koreografi Michael Vandevelde rip\u00ebrinterpreton rimendimin e Max Richter p\u00ebr "Kat\u00ebr Stin\u00ebt" e Vivaldit. Programi nd\u00ebrkomb\u00ebtar po zgjerohet: Tiago Rodrigues, Nacera Belaza, Jaha Koo, Eun-Me Ahn, Pankaj Tiwari, Katerina Andreou me Carte Blanche, Ben Duke.\u00a0\u00a0Hildur Gu\u00f0nad\u00f3ttir me Osmium, Moritz von Oswald, Jlin, Jeff Mills, Maki Namekawa dhe Thomas Enhco p\u00ebr The K\u00f6ln Concert t\u00eb Keith Jarrett, Fatoumata Diawara, Kangding Ray.<\/p>\n\n\n\n

Programi muzikor zgjerohet p\u00ebr t\u00eb p\u00ebrfshir\u00eb Hans Werner Henze (me New European Ensemble dhe Carlo Boccadoro), Steve Reich (me Blow Up Percussion), Fluxus (me Tempo Reale), Philip Glass (me Philip Glass Ensemble, Vanessa Wagner dhe Third Coast Percussion), koncertin e filmit Blade Runner me The Avex Ensemble, dhe The Classical Rave Party t\u00eb Enrico Melozzi-t, me 100 \u00c7elo dhe Giovanni Sollima. <\/p>\n\n\n\n

\"Imazhi<\/figure>\n\n\n\n

Italia z\u00eb vendin kryesor me artist\u00ebt e saj<\/strong><\/p>\n\n\n\n

Si gjithmon\u00eb, fokusi \u00ebsht\u00eb te produksionet italiane: Giorgina Pi, Marta Cuscun\u00e0, Pietro Giannini, Silvia Costa, Giacomo Bisordi me Fabrizio Sinisi, dhe Marco D'Agostin me Marta Ciappina. Dhe m\u00eb pas \u00ebsht\u00eb projekti HEIMAT i Akademis\u00eb Komb\u00ebtare t\u00eb Arteve Dramatike "Silvio d'Amico", me Thom Luz, Ersan Mondtag, Fabiana Iacozzilli, Leonardo Lidi dhe Leonardo Manzan. Programi ULTRA REF n\u00eb Mattatoio riafirmon angazhimin e Festivalit ndaj inovacionit dhe marrjes s\u00eb rreziqeve, nd\u00ebrsa REF Kids & Family hap hap\u00ebsira t\u00eb dedikuara brezit m\u00eb t\u00eb ri.<\/p>\n\n\n\n

Ve\u00e7an\u00ebrisht t\u00eb r\u00ebnd\u00ebsishme jan\u00eb paraqitjet e Alessandro Baricco-s dhe Gloria Campaner-it, s\u00eb bashku me shum\u00eb yje t\u00eb sken\u00ebs muzikore italiane, dhe performanca e teatrit muzikor t\u00eb Vinicio Capossela-s. <\/p>\n\n\n\n

Teatro Valle ngre p\u00ebrs\u00ebri perdjen<\/strong><\/p>\n\n\n\n

 Pas gjasht\u00ebmb\u00ebdhjet\u00eb vjet\u00ebsh mbylljeje, q\u00eb datojn\u00eb nga viti 2010, Teatro Valle \u2013 tani i em\u00ebruar pas Franca Valeri \u2013 m\u00eb n\u00eb fund po rihap dyert e tij. Nj\u00eb restaurim kompleks ka sjell\u00eb n\u00eb jet\u00eb struktur\u00ebn e tij historike: jan\u00eb kryer punime n\u00eb sistemet e nd\u00ebrtes\u00ebs, n\u00eb lozh\u00eb, n\u00eb sip\u00ebrfaqet dekorative dhe n\u00eb tavanin prej p\u00eblhure, me zbulimin e papritur t\u00eb nj\u00eb dyshemeje mesjetare q\u00eb ngadal\u00ebsoi por pasuroi projektin.\u00a0\u00a0Rihapja b\u00ebhet pik\u00ebrisht n\u00eb zem\u00ebr t\u00eb Festivalit Romaeuropa 2026, i cili ka zgjedhur Valle-n p\u00ebr t\u00eb nisur nj\u00eb sezon t\u00eb ri t\u00eb krijimit bashk\u00ebkohor. Teatri inaugurohet nga 'Lemnos', me regji nga Giorgina Pi, nj\u00eb vep\u00ebr q\u00eb nd\u00ebrthur mitin, kujtes\u00ebn dhe trupin fem\u00ebror, duke i rikthyer Valle-n rolit t\u00eb tij natyral: nj\u00eb vend q\u00eb mir\u00ebpret vizionet, rreziqet dhe imagjinat\u00ebn.<\/p>\n\n\n\n

Rrjeti nd\u00ebrkomb\u00ebtar i festivalit <\/strong><\/p>\n\n\n\n

Romaeuropa 2026 vepron brenda nj\u00eb rrjeti marr\u00ebdh\u00ebniesh nd\u00ebrkomb\u00ebtare q\u00eb nuk \u00ebsht\u00eb thjesht nj\u00eb sfond, por nj\u00eb pjes\u00eb integrale e identitetit t\u00eb tij; k\u00ebt\u00eb vit, fokusi do t\u00eb jet\u00eb n\u00eb sken\u00ebn gjermane p\u00ebr t\u00eb sh\u00ebnuar 75-vjetorin e marr\u00ebdh\u00ebnieve diplomatike midis Italis\u00eb dhe Gjermanis\u00eb. V\u00ebmendje do t'i kushtohet edhe sken\u00ebs flandreze, si pjes\u00eb e partneritetit trevje\u00e7ar (2026\u20132028) me Flanders State of the Art. Po aq e r\u00ebnd\u00ebsishme do t\u00eb jen\u00eb edhe festimet p\u00ebr p\u00ebrvjetorin e 70-t\u00eb t\u00eb binjak\u00ebzimit Rom\u00eb\u2013Paris. Po ashtu, po forcohen bashk\u00ebpunimet me institucione t\u00eb tilla si Accademia Nazionale di Santa Cecilia, Fondazione Teatro di Roma, Teatro dell'Opera di Roma, Palaexpo, Fondazione Mattatoio, Villa Medici, MAXXI, Musica per Roma, Teatro Vascello, Short Theatre, Auditorium Conciliazione, Teatro Brancaccio dhe Teatro Olimpico.<\/p>\n\n\n\n

N\u00eb nj\u00eb epok\u00eb q\u00eb priret t\u00eb reduktoj\u00eb kompleksitetin n\u00eb slogane, Romaeuropa zgjedh rrug\u00ebn e d\u00ebgjimit \u2013 m\u00eb t\u00eb v\u00ebshtir\u00ebn dhe m\u00eb t\u00eb brisht\u00eb, por edhe m\u00eb t\u00eb nevojshmen. K\u00ebtu, arti nuk \u00ebsht\u00eb nj\u00eb altar, por nj\u00eb udh\u00ebtim. Dhe publiku nuk \u00ebsht\u00eb thjesht nj\u00eb spektator, por pjes\u00eb e nj\u00eb rituali kolektiv q\u00eb, p\u00ebr nj\u00ebzet e nj\u00eb vjet, ka vazhduar t\u00eb imagjinoj\u00eb Evrop\u00ebn si nj\u00eb vend q\u00eb ende \u00ebsht\u00eb i mundur.<\/p>","protected":false},"excerpt":{"rendered":"

Presentata a Roma la 41\u00aa edizione del festival che dal 1986 ospita i pi\u00f9 grandi artisti della scena contemporanea internazionale, divenuto punto di riferimento di teatro, danza, performance, musica, arte digitale e una grande sezione dedicata all\u2019infanzia. Un\u2019edizione che segna la riapertura del Teatro Valle. 100 spettacoli per 240 repliche e circa 1000 artisti da […]<\/p>\n","protected":false},"author":16,"featured_media":6766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","iawp_total_views":2,"footnotes":""},"categories":[446],"tags":[],"class_list":["post-6765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-2"],"_links":{"self":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/comments?post=6765"}],"version-history":[{"count":1,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6765\/revisions"}],"predecessor-version":[{"id":6769,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/posts\/6765\/revisions\/6769"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media\/6766"}],"wp:attachment":[{"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/media?parent=6765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/categories?post=6765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albanitaly.al\/sq\/wp-json\/wp\/v2\/tags?post=6765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}